Showing posts with label Oscars 2011 Natalie Portman. Show all posts
Showing posts with label Oscars 2011 Natalie Portman. Show all posts

Natalie Portman Slams John Galliano as Dior Fires Him for Anti-Semitic Rants

Wednesday, March 2, 2011

Natalie Portman Slams John Galliano as Dior Fires Him for Anti-Semitic Rants

Natalie Portman, John Galliano Dimitrios Kambouris/WireImage
Every Best Actress Oscar comes with its curse, and with all due respect to Sandra Bullock and Halle Berry, Natalie Portman's scandal seems to have arrived in record time.
And, in keeping with tradition, it comes courtesy of one of the leading men in her life. But not (phew!) baby daddy and hubby-to-be Benjamin Millipied.
Instead, this headline-grabber comes at the hands of (until this week, anyway) fashionista favorite, former Christian Dior head designer John Galliano. That's right, folks. As of this morning, he's been axed.
PHOTOS: Check out Natalie & Co.'s fierce fashions in our Oscars arrivals gallery!
But first, let's recap: last week, the British haute couturier was suspended from Dior after he was accused of launching into a verbally abusive and anti-Semitic tirade against a French couple he just happened to be sitting next to at a Paris bar (lowlights include telling the woman, "Dirty Jewish face…you should be dead," and the man, "f--king Asian bastard, I will kill you."
Incidentally, for what it's worth, the woman in question wasn't even Jewish.
Dior quickly put out a statement stating they have a "zero-tolerance policy regarding anti-Semitism and racism" and that Galliano wouldn't return to work (if at all) until after the police investigation into the altercation was complete.
Then, as if that weren't enough of a problem for the fashion house, over the weekend video surfaced of Galliano in a separate incident in which the designer can be heard stating, "I love Hitler!" and telling a woman her family "would be f--king gassed."
So how does Natalie Portman fit into all this?
Well, she is the newest and brightest face to align itself with Dior, and thus Galliano, as she's the spokeswoman for their Miss Dior Cherie fragrance (if you caught even a segment of the Oscars, you no doubt caught an ad).
Despite being under contract, Portman quite pointedly wore Rodarte, not Dior to the podium on Sunday night (Nicole Kidman, on the other hand, did wear a Galliano creation), though she waited until the video surfaced to release a statement of her own. And she did not hold back.
"I am deeply shocked and disgusted by the video of John Galliano's comments that surfaced today," she said in a statement issued last night. "In light of this video, and as an individual who is proud to be Jewish, I will not be associated with Mr. Galliano in any way. I hope at the very least, these terrible comments remind us to reflect and act upon combating these still-existing prejudices that are the opposite of all that is beautiful."
It's not known how Portman's contract with Dior may be affected, but it's worth noting that she did not disavow any association with the fashion house, simply with its head designer. Which, as it happens, isn't such a problem after all, since Dior apparently felt the exact same way and, as of this morning, cut all ties with the onetime fashion favorite.
"I condemn most firmly the statements made by John Galliano which are total contradiction with the essential values that have always been defended by the House of Christian Dior," President and CEO Sidney Toledano said in a brief statement released today.
"Today, because of the particularly odious nature of the behavior and words of John Galliano in a video made public this Monday, the Christian Dior house has decided to lay him off immediately and has begun firing procedures against him."
Galliano, who also has a signature brand released through Dior, had been at the house since 1996. A Galliano-conceived runway show is scheduled to take place in Paris on Friday as planned. Albeit no doubt with a few less celebrities sitting in the front row.

Read more: http://uk.eonline.com/uberblog/b228618_what_fash-hole_natalie_portman_slams.html#ixzz1FRAI83wB

Oscars: Lead actress: 'Black Swan's' Natalie Portman made worthy sacrifice for her art

Sunday, February 27, 2011

Oscars: Lead actress: 'Black Swan's' Natalie Portman made worthy sacrifice for her art

As a troubled ballerina in 'Black Swan,' Natalie Portman made all the right moves, no matter the price.

Natalie Portman
Natalie Portman at the Academy Awards. (Jay L. Clendenin / Los Angeles Times)

The agony and ecstasy of Natalie Portman's "Black Swan" is a kind of gothic perfection.

It is her passion play, as much as a performance, born of a long desire to take her acting into the world of ballet that she fell in love with as a child. Perhaps if her dreams had unfolded differently, we might know her as the featured ballerina from one company or another. More likely, we would not know her at all, and the artistic world would be poorer for it.

Certainly there is movie magic in the ritualistic sacrifice of director Darren Aronofsky's film as Portman's prima ballerina suffers stigmatas of ripped skin and sprouting feathers. But there was pain enough of the real kind too. Nine months at the ballet barre before shooting began. Hours in solitary practice, pushing past exhaustion, bruised toes and aching muscles, raising her craft to dizzying heights.


Maybe we would still feel the searing pain of her doomed dancer had she not forced herself to wring the very soul out of her woman-child, but I doubt it. The work pared the body down to nearly nothing, as if her bones themselves were looking to escape the punishing regime she demanded.

Ultimately, though, what makes Portman's performance so singular is not just the dance, which is breathtakingly beautiful, but all the ways she deconstructs as the demons close in. Whimpering under a blanket as she tries to escape the lash of her mother's tongue, trembling in the embrace of the Machiavellian master who will determine her fate, the terror of the known and unknown never leaving her eyes.

The performance is fearless, frighteningly so. She stands before us emotionally naked, only her talent on the line. After last night, no questions remain. The swan soars.

betsy.sharkey@latimes.com